The band's third studio album was released through a fan-backed Indiegogo campaign and shaped during lengthy studio sessions throughout 2013. The record showcases a band stepping into darker, more uncompromising territory while sharpening their unmistakable theatrical approach.
Mixed by Yngve Sætre at Duper Studio, the eight-track album moves like a shadowy arthouse film — dense with melody, doom-tinged poetry and dramatic turns. Synth-driven textures and noir-like atmospheres intertwine with the band’s eccentric rock foundations, creating a vivid, twilight-lit world rich with lyrical and cultural references, from named poets in “Impermanence” to old-cinema echoes in the title track.
Fans often describe this as the first album that feels like a fully realized, intentionally curated “universe”, where production, lyrics, and instrumentation all work together to reinforce a singular, enveloping atmosphere.
Impermanence
I see you only try to kill the pain
lying on the carpet like a child
impermanence in your vein
you know its never going to be the same
summers running through the everglade
rounding up the daisy chains
all that you gave was all that you got
raindrops dripping from a parasol
making puddles to collect the blue skies
made you tremble, made you small
in the impermanence of the fall
you build a house, you change your name
I know you only try to love somebody
through your cold restraints
the stations ever passing by your train
in this moment that we cannot explain
in difference we are the same
all that we give is all that we got
sidewalks are moving slowly
like an escalator in the brickwork of a tailor
the skyline is a hummingbird
trading poems for a crossword
it takes you even deeper
you fall into a stupor of imagination
tell me where you want to go
tell me where you want to go
when all that we give is all that we got
all your life you’ve been looking for someone to love
someone to caress you
now you are lost
you felt something wasn’t right
you had your reasons
all of the quotes from Keats, TS Eliot, Byron and pope
they tore something that was yours
infantile playing in between the changing seasons
Black River
yesterday she was pulled up from the river
wearing a silver bracelet
and a bucket of stones around her pretty neck
holding an empty canvas to a mirror
I picture myself alongside of the girl on the bridge
the morning of the fall
when she was staring into a hollow abyss
reminisced slipping into the cold black river
silent capercaillies by the rivulet
hovering, the highland lass
waning in the holler by the silhouettes
everyone you know shall pass
never to feel comfort in the arms of a stranger
howling from the heathers in the gloaming mire
through clammy and slender paths
the billow turned the birches to redundant snags
unavowed we stood like icicles in the black river
stop, my little child!
you won't get further than this
I see you smile
under the frothing abyss we reconcile
we're pestilential and vile, the both of us
let's get together and dance into the void
until it stares into our soul
so hush, my little child!
come join the purgatory trip through your denial
among the carpenter bees and honey pies
we'll see the home that you left
you were a child
I was your daddy back then
do splendour tender when the morning slipped into your dream
scarlet tangerines, taffy pullers
butter beans and baseball figurines,
forever and ever buried under the cold black river
A Cabin in the Sky
wake up, Annie get your gun!
let's go to the ballgame, bright lights on 42nd street
comet over Broadway – the singing kids and smalltown girls
Kiki!
the gang's all here, three cheers for the girls and dames
wonder bar of golddiggers! Golddiggers! whoopee!
the gang's all here, and there's a cabin in the sky
a cabin in the sky!
wake up!
the gang's all here, Kiki and golddiggers
bright lights on 42nd street
coming over Broadway – the singing kids and smalltown girls
changing the lane by the Palisades Park
as the clapperboard snapped
for the darkest scene you've ever made
a kowtowing king trying to call his old mother
from the Lighthouse Café by the spring bud convertible flames
I watched the movies over and over again
replayed the scenes I cannot understand
the misery behind the symmetry
forever haunted by the trumpets
a cabin in the sky!
The Wheelbarrow
this is your life, it isn't much
learning to live, learning to touch
pulling the brakes, but still the wheels keep turning around
this is your life and it is mundane
follow the tracks in a maze through the barrens
never to find your way home
circling vultures and flickering lanterns
showed you the way to the square of your mind
moving the hands that you claim as your own
it's inevitable, it's inevitable like time
poor Lizzy McKay, she wasn't the same after the crash
according to rumors she had a relapse
or may I say: a nervous breakdown
nothing was real except the old memories of summertime
hobbling barefoot over the pebbles and bubble wrap
she was the queen
among the powder'd bag-wigs and ruffy-tuffy heads
poor Lizzy McKay, she wasn't the same after the fall
with letters from Paris and cabinet card pictures from Montreal
having a ball!
lost in the pages of the devouring summertime
Lizzy McKay created a garden of figurines and libertines
among the statues of clay
she can do anything, she can love everyone
doing the same routine over and over
sparkling diamond ring, doing the highland fling
pulling the same routine over and over
dancing through repetition
poor mr. Demille, he wasn't the same after the war
lost in delirium, he was Napoleons troubadour at Borodino
always too feeble, always too quail for the kettle drum
down at the floodgate he was a priest with a timber boom
he thought a spike broom was a gunstock of hay
he can do anything, he can fight anyone
doing the same routine over and over
cold as a diamond ring, covered in gabardine
marching through time, he gets older and older
we can do anything, we can change everyone
pulling the same routine over and over
writing a symphony of dwelling disharmony
pulling the plug is just out of the question
dance me through repetition!
spruces and foxgloves in plum colored cascades
wheelbarrows of pinecones and cloudberry cream
it's Monday, it's Tuesday, and nothing is happening
squirrels and ducks pushing marbles
the conifer forest is yours for the rest of the day
there's no way of knowing
the river keeps flowing on and on and on
this is your life, it isn't much
learning to live, learning to touch
pulling the brakes, but still the wheels keep turning around
this is your life, and it is mundane
follow the tracks in a maze through the barrens
never to find your way home
circling vultures and flickering lanterns
showed you the way to the square of your mind
moving the hands that you claim as your own,
it's inevitable, it's inevitable like time
she can do anything, he can change anyone
doing the same routine over and over
bold as a diamond ring, doing the highland fling
marching through time, they get older and older
dancing, dancing, dancing
Heart Machine
listen to the heart of the factory pumping
liquified waste of production
in a scrap yard of bones made of concrete
on the chimney top stands the last welder of languid futility
watching a torpid marsupial quagmire
ramshackle jackhammers thumping along
to the rhythm of the assembly line
listen to the heart of the factory pumping
Captain Ahab is back for the nightshift
waiting down by the docks for a shipment that may never arrive
kiss the cobalt, smell the limestone and carbon monoxide
now he is singing a song, it is:
"Glory, glory, Hallelujah!
I'm so proud to be guarding this heart machine
it is Perfect!"
like Phoebus on the crescent
dancing in a blizzard on the moon
flags are hoisted, sailors are closing the breach of the shell
ring the bell!
I'm piercing the eye of the moon
from the roof I can see perfectly clear
travelling suits of silver
mechanical telescopes
crowded barracks and scaffolds of gold
I'm piercing the eye of the moon
snowflakes, stars and orbits
mushroom umbrellas and clouds
the mourning cloak of the belching smoke
is fluttering over a house like a ghost
through foundries and wobbling grass
rusty arbors and broken glass
Beaks of Benevola
walking around in the corridor
without a sound on the hardwood floor
the savages are asleep
and the infirmary is quiet like a morgue
humming a tune from The Devil's Brigade
in the pondering sulky silence
perishable in debt he pays the rent
for all the evenings to repent
I want to be good
I want to be righteous for the perished yet unfolded
forever blind, never misunderstood
find a place in the woods
among the bluebirds on the riverbed
with shackled beaks in silence
I want to be good
it’s the end of the line
blind babies in a ballroom fade away
it’s the house of detention
out here we're lost in the haze
a thousand days are shorter than an hour in the sun
like a splinter to the spine
time is taming the untarnished
trade your soul for the bliss of believing
there are stars in the ceiling,
breeze in the curtains, grass on the floor,
china on the table and a river in the sink
creatures of the night watch sleeping on broken wings
I want to be good
I want to be righteous for the perished yet unfolded
forever blind, never misunderstood
find a place in the woods
among the bluebirds on the riverbed
with shackled beaks in silence
silence
I want to be good
Twilight Cinema
Emily's watching television every night and day
waiting for someone to save her from herself
the modern twilight cinema
there are biscuits in the basket, laughers, uppers, downers
epitaphs and pornographic literature
munchkins in the ether knitting baby clothes
in scarlet woods of cinnamon
wake up, it's a brand new day, there are eggs in the buffet
wake up, little Emily, the dimple key is stuck inside your door
there's something going on in room 11
there's no answer on the other side
hey janitor! listen, the projector is in overdrive
we've got a twilight cinema
count the bats in the trees, swirling bees in the breeze
it's Operation Bavarian Burlesque
candy colors of green from a vending machine
amplifiers and tainted little melodies, memories
a cinema, she's in the twilight cinema
a cinema, she's in the twilight cinema
since you've been gone I've been looking for a girlfriend
who looks just like Norma Shearer
in The Barrets of Wimpole Street from 1934
since you've been gone I've been looking for a girlfriend
who acts just like Mary Pickford in Poor Little Peppina
as she is playing bocce with her Beppo
Am I crazy?
Is it me or is everybody crazy?
In this house we are one big happy family
Emily - talking to a radio
playing songs that no one wants to hear
Emily - standing on the patio
longing for the applause that disappeared
a cinema, she's in the twilight cinema
a cinema, she's in the twilight cinema
full of melancholic friends, the temporary ones
the people sitting next to you will vanish in the haze
without a sign
a cinema, you're in the twilight cinema
a cinema, you're in the twilight cinema
is it happening again?
ice cream for everybody
sweets for the boys and girls
happy time is mandatory
put on your diamonds and pearls
poppers for the perverted and masochistic ballet
welcome! I've got your keycard
hope you enjoy the stay
Do-re-mi and sodomy
this house is filled with memories of ...
Skeleton Sangria
skeleton sangria
mindless and mellow
little dove, little dove
on the pastures he wanes
in careless insomnia
he waits by the fire
in the mist, in the mist
in the woods with no trails
skeleton sangria
mindless and mellow
little dove, little dove
in the meadows he drowns
in careless insomnia
he waits by the fire
in the mist, in the mist
with his head to the ground